Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Cabaret oil painting


Cabaret
1877 Pastel over monotype on paper 9 1/2 x 17 1/2 in. (24.1 x 44.5 cm) Corcoran Gallery of Art, Washington
Painting ID::  833 		Edgar Degas
Cabaret
1877 Pastel over monotype on paper 9 1/2 x 17 1/2 in. (24.1 x 44.5 cm) Corcoran Gallery of Art, Washington
   
   
     
Edgar Degas La La at the Cirque Fernando oil painting


La La at the Cirque Fernando
1879 46 x 30 1/2 in. (117 x 77.5 cm) National Gallery, London
Painting ID::  835 		Edgar Degas
La La at the Cirque Fernando
1879 46 x 30 1/2 in. (117 x 77.5 cm) National Gallery, London
   
   
     
Edgar Degas The Orchestra of the Opera oil painting


The Orchestra of the Opera
1870 20 7/8" x 13 3/4" Musee d'Orsay, Paris
Painting ID::  836 		Edgar Degas
The Orchestra of the Opera
1870 20 7/8" x 13 3/4" Musee d'Orsay, Paris
   
   
     
Edgar Degas The Song of the Dog oil painting


The Song of the Dog
1876-77
Painting ID::  837 		Edgar Degas
The Song of the Dog
1876-77
   
   
     
Edgar Degas Madame Camus oil painting


Madame Camus
1870 28 5/8 x 36 1/4 in (72.7 x 92.1 cm) National Gallery of Art, Washington
Painting ID::  838 		Edgar Degas
Madame Camus
1870 28 5/8 x 36 1/4 in (72.7 x 92.1 cm) National Gallery of Art, Washington
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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